While exploring a decrepit and abandoned facility, an auspicious photographer faces off against her traumatic past.
Some of its elements and images are a little reminiscent of Paddy Breathnach’s Shrooms (2007) and Gaspar Noé’s Climax (2018), but this is always at heart a film about photography, taking pictures of both buildings and characters in a dilapidated, abandoned, rawly exposed state, and seeing what develops. - Anton Bitel, projectedfigures.com
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